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Stephen E. Ostrow Distinguished Visitor in the Visual Arts Series Lecture: Richard Shiff, “Loss of Subject”
7 p.m., Vollum lecture hall


The Stephen E. Ostrow Distinguished Visitor in the Visual Arts Series brings Richard Shiff to the Reed campus in February for a lecture on Cézanne's Card Players. Art historians usually classify images like Cézanne's Card Players as genre pictures, views of daily life that may reveal attitudes toward a class of society or a set of cultural practices. Shiff argues that Cézanne's earliest viewers evaluated his Card Players as abstractions, and that by this interpretive route, the paintings gained a special social significance. Shiff is the Effie Marie Cain Regents Chair in Art and director of the Center for the Study of Modernism at the University of Texas, Austin. His scholarly interests range broadly across the field of modern art from the early nineteenth century to the present, with emphasis on French painting and post-war and contemporary American and European art. He has been particularly involved with theory and criticism. Shiff’s publications include Cézanne and the End of Impressionism, Critical Terms for Art History, Barnett Newman: A Catalogue Raisonné, Doubt, Between Sense and de Kooning, and numerous studies of critical and methodological issues. Some of his recent essays have focused on Vincent van Gogh, Georges Seurat, Pablo Picasso, Jasper Johns, Donald Judd, Richard Serra, Bridget Riley, Georg Baselitz, Peter Doig, and Julie Mehretu.
9Visiting Writer Series: Debra Gwartney
6:30 p.m., the Eliot Hall chapel
The Reed College Visiting Writer Series presents an evening with Debra Gwartney. She is the author of the memoir Live Through This, a finalist for the National Books Critics Award and the National Books for a Better Life Award. She also is coeditor, with her husband Barry Lopez, of Home Ground: Language for an American Landscape.
104 p.m., the Eliot Hall chapel
Reed's annual symposium on music and the liberal arts presents cellist Fred Sherry and composer David Schiff in conversation.
107:30 p.m., Kaul Auditorium
Commemorating 1912’s most progressive musical output, this concert marks the premier of “Class of 1915,” a suite of foxtrots, blues, and rags, arranged by David Schiff. Also performed are Maurice Ravel’s Piano Trio (1914) and Arnold Schoenberg’s Pierrot Lunaire op. 21 (1912) with musicians Jeffrey Swann, piano; Mary Nessinger, mezzo-soprano; Ida Kavafian, violin; Fred Sherry, cello; Tara Helen O’Connor, flute; and David Shifrin, clarinet.
1110 a.m., Psychology 105
Kimberly Jannarone, associate professor of theatre arts at the University of California, Santa Cruz, is the author of Artaud and His Doubles (University of Michigan Press, 2010). She received her MFA and DFA from the Yale School of Drama and has published essays and reviews on experimental performance in Theatre Survey, Theatre Journal, French Forum, Modernism/Modernity, TDR, and New Theatre Quarterly, and has chapters in The Exquisite Corpse: Collaboration, Creativity, the World's Most Popular Parlor Game (University of Nebraska Press, 2009), and Avant-Garde Performance and Material Exchange (Palgrave, 2011). For essays she wrote on Artaud, she received the 2006 Gerald Kahan Scholar's Prize and the honorable mention for the 2009 ASTR Essay Prize, both awarded by the American Society for Theatre Research. She recently was a Camargo Fellow in Cassis, France, working on her next book, The Crowd in the Theatre.
111 p.m., Psychology 105
Olivia Mattis, a musicologist specializing in the links between music and the visual arts, is coeditor with art historian James H. Rubin of Rival Sisters: Art and Music at the Birth of Modernism (Ashgate/Lund-Humphries, forthcoming) and coauthor, with a team of art historians, of Visual Music: Synaesthesia in Art and Music Since 1900 (Thames and Hudson, 2005). She is a recipient of an ASCAP-Deems Taylor Award and a research fellowship from the National Endowment for the Humanities, and is completing the first comprehensive biography of the composer Edgard Varèse. She also is a cofounder of the Sousa Mendes Foundation and works in academic administration at Stony Brook University.
118 p.m., Kaul Auditorium
Join us in February during Black History Month for events honoring the movements, traditions, and legacies of peoples of the African diaspora. Internationally recognized jazz pianist and composer Darrell Grant has assembled an all-star lineup of musicians—including celebrated drummer Brian Blade, New York saxophonist Steve Wilson, and vibraphonist Joe Locke—for the Double Legacy Project, an exploration of the legacies we inherit and those we leave behind. The group will revisit compositions from Grant’s recording career and premiere “Step By Step,” an original extended suite inspired by the story of civil rights icon Ruby Bridges and composed for the celebration of Black History Month at Reed College.
187:30 p.m., Vollum lecture hall
Join us in February during Black History Month for events honoring the movements, traditions, and legacies of peoples of the African diaspora. Charles J. Ogletree, Harvard Law School’s Jesse Climenko Professor of Law and founding and executive director of the Charles Hamilton Houston Institute for Race and Justice, is a prominent legal theorist with an international reputation for taking a hard look at complex legal issues and working to secure equal rights guaranteed by the Constitution for everyone. Ogletree’s most recent book is The Presumption of Guilt: The Arrest of Henry Louis Gates Jr. and Race, Class, and Crime in America.
204:30 p.m., Vollum lecture hall
Join us in February during Black History Month for events honoring the movements, traditions, and legacies of peoples of the African diaspora. Glenn C. Loury, the Merton P. Stoltz Professor of the Social Sciences and professor of economics at Brown University, is a distinguished economist who has contributed to a variety of areas in applied microeconomic theory. Loury is the recipient of a Guggenheim Fellowship and was a Carnegie Scholar. He has been elected as a fellow of the American Academy of Arts and Sciences, as a fellow of the Econometric Society, and as vice president of the American Economics Association. His most recent book is Ethnicity, Social Mobility, and Public Policy: Comparing the US and the UK. Sponsored by the Walter Krause Economics Lectures fund.
257:30 p.m., Kaul Auditorium
Join us in February during Black History Month for events honoring the movements, traditions, and legacies of peoples of the African diaspora. Pulitzer Prize–winning journalist and best-selling author Isabel Wilkerson spent years interviewing more than 1,200 people for The Warmth of Other Suns, a work of narrative nonfiction that tells the epic story of the Great Migration through the lives of three individuals. The Great Migration, which lasted from 1915 to 1970 and involved nearly six million people, was one of the largest internal migrations in United States history and changed the cultural and political landscape of the country. Wilkerson is professor of journalism and director of narrative nonfiction at Boston University.